These Are a Few of My Favorite Things: My Top 10 Good Times Episodes: Part 1

You may not know it, but this blog is dear to my heart. When I started it back in 2022, my goal was to post at least once a month – but a glance at the calendar shows that I’m sorely behind in this area, and I haven’t written about the Evans clan since May! I know time flies, but damn (damn, damn)!

Starting today, though, I’m determined to get back on track, and I’m doing it with a topic that I’ve looked forward to tackling for a while now: my Top 10 favorite episodes from the series. You won’t be surprised to know that most of them (all but one, in fact) come from the first three years of the series, when John Amos was the head of the family and all was well – in front of the camera, at least.

This post will cover the first five in my Top 10 list –I hope you’ll enjoy this look at my favorites and I hope you’ll share yours, as well!

Sex and the Evans Family: Season 1, Episode 6

Sexual behavior in the GHET-to.

This is my all-time favorite episode, which I’ve already written about here. It focuses on a “filthy piece of trash” that Florida finds tucked into the couch cushions – a treatise entitled “Sexual Behavior in the Ghetto.” Florida is appalled and James is pleased when they both think the document belongs to J.J. – but it’s whole ‘nother story when they learn that it’s Thelma’s!

There is just so much to love about this episode. The writing is crisp and smart and laugh-out-loud funny. And while there are enough accolades to spread throughout the cast, John Amos really shines in this one – he serves up a masterclass of comedic brilliance as he abruptly morphs from “you, dog, you” delight at what he imagines to be J.J’s amorous adventures, to a combination of fury and dismay as he’s forced to admit that his “baby,” Thelma, is not such a baby anymore. I have seen this episode more than any other, and I can never see it too many times.

The Visitor: Season 1, Episode 9

No elevator? No heat? No water? (No kidding!)

The title character of this episode is Mr. Stonehurst, a representative from the city’s housing authority, who visits the family in response to a letter of complaint written by Michael and printed in the Chicago Defender (the city’s paper for and about the Black community). The episode focuses on the problems faced by the residents of the building where the Evans family lives, from electricity and water that doesn’t work, to termites, to gang fights. More about the episode can be found here.

Despite the somber and very real subject matter, the episode delivers the laughs from start to finish, from the callbacks (“The elevator ain’t workin’!”), to the family’s response to Michael’s letter to the newspaper, to the fish-out-of-water behavior of the housing authority rep. Watching it might make you want to put on a sweater, but you’ll be chuckling while you do it!

The TV Commercial: Season 1, Episode 11

Such a great scene!

The spotlight is focused on Florida in this episode when she arrives home with the news that she may be featured in a television commercial. The product that she’ll be advertising is a “health tonic” called Vita Brite, but she balks when she discovers that she’ll have to claim that she’s been using it for three months.  “They hired me for an honest face,” she tells her family, “and I ain’t gonna give it a crooked mouth!” Ultimately, Florida agrees to give the tonic a try, but the family learns that in addition to Vitamins C, D, and E, Vita Brite also contains 18% alcohol – and when Michael gets drunk after guzzling a bottle, everyone agrees that Florida needs to steer clear of that commercial!

There are so many laugh-out-loud moments in this episode – a deep dive can be found here – but I especially love the scene where J.J. and James do a mock commercial with a bottle of ketchup to show Florida how it’s done. Another is the scene near the end when Michael breaks into a tipsy rendition of “Tie a Yellow Ribbon ‘Round the Old Oak Tree.”

Florida Flips: Season 2, Episode 1

“I don’t need a bunch of cackling hens!”

This is another Florida-focused episode – it begins with Michael asking Thelma about the word “menopause,” because based on the way Florida has been hollering at the family lately, “she must have it.” The family is unable to pinpoint the source of Florida’s constant anger, but Wilona tries to help by taking her to a women’s consciousness-raising group, and ultimately Florida is forced to admit that she is dissatisfied with her life.

I think this is a favorite of mine because it not only has its genuinely funny moments – especially in the scene with the women’s group – but its topic is very real, and I think the show does a good job demonstrating why a woman in Florida’s situation might feel unfulfilled, like the world has left her behind. Click here for lots more on this unique, first-rate offering.

Thelma’s Young Man: Season 2, Episode 6

“I guess you think of me as a dirty old man.”

I haven’t covered this one in depth yet on the blog, but it’s definitely a standout. As the episode opens, we learn that Thelma has been dating a mystery man that no one in the family has met. They only know that he’s been exposing her to classical music and literature, but it turns out her new beau is the son of the “Black Colonel Saunders” – and 42 years old.

Although the idea of a 42-year-old man dating a 17-year-old high school student is not only gross, but it’s probably illegal (or should be!), you just have to let that go when you’re watching this episode. The laughs fly like confetti in a windstorm and Esther Rolle and John Amos, in particular, are simply outstanding. I can watch this one again and again (and I do).

That’s it for now – the second half of my top 10 favorites will be coming soon. Meanwhile, I hope you’ll leave a comment – let me know how you feel about these episodes, and share some favorites of your own!

“Boy, Y’all Are Really Spreadin’ the Fertilizer Thick This Morning, Ain’t You?” Season Two, Episode Five: The Man I Most Admire (October 8, 1974)

Thelma tells it like it is.

As this episode kicks off, Florida and the children are together in the living room area; Florida is working on a dress she’s making for Thelma, J.J. is painting a still life, and Michael is trying to decide on the subject for a school essay entitled, “The Man I Most Admire.” And James passes through on his way to a job interview for assistant foreman for a van and storage company. After considering famous names like Jesse Jackson and Thurgood Marshall, Michael ultimately decides to write about his father – but he rethinks his decision when James returns home, having given up on his chances for the job without even making it to the interview.

“Don’t you never try and pull a stunt like this again!”

Thelma and J.J. endeavor to boost their father’s lagging self-confidence by seeking his sage advice on their post-high school plans, but the scheme backfires when James overhears J.J. tell his sister, “I think he’s okay now.” Angered by the ruse enacted by his elder children, James goes on to accuse Florida of equally artificial behavior with her “sweet talkin’ and neck-rubbin,” then aims his wrath in Michael’s direction when he finds a draft of his essay identifying James as the man he most admires. Ultimately, though, after Florida reads from the final draft of Michael’s composition, James’s ire cools and he is able to accept the appreciation that his family has for him, despite the challenges and setbacks he is sometimes forced to face.

“Don’t just sit there, Michael!”

I found this episode to be outstanding in both writing and directing, resulting in numerous laugh-out-loud moments. My favorites include the “battle of the sexes” exchange, with Florida and Thelma going head-to-head against J.J. and Michael. During the argument, J.J. offers up a notable achievement by a male, and Florida or Thelma counter it with a female-related comeback. Finally, J.J. is unable to think of a response and calls on his little brother: “Well, don’t just sit there, Michael, jump in here! Say something!” I think you have to see this scene to appreciate it – the humor doesn’t come through with the written word, but trust me, it’s funny. And in a later scene, after failing to show up at his job interview, James explains his rationale to Florida, mimicking the voice of a white personnel director: “You know how it goes, baby,” he tells Florida: “‘Uh, Mr. Evans, as you know, we’re an equal employment opportunity employer, so your color really isn’t important.’ Meanwhile, the dude is lookin’ me up and down like he’s trying to figure out how many watermelons a day I can knock off.” John Amos does a great job here showing his comic chops.

John Amos serves up a heartwaring ending.

Outside of the humor, the episode’s heart shines though, particularly in the scene where James believes that his entire family is putting on an act to appease him, and then realizes how much he means to them. It’s the poignant but honest words from Michael’s essay that turn his heart: “He gets knocked down a lot, but he always comes up swinging. . . . He doesn’t have the best education in the world, but he’s the best father in the world.”

Pop Culture Connections

According to the World Wide Web, this is Elroy Duncan.

Elroy Duncan

As Michael ponders which person to select for his essay, J.J. suggests Elroy Duncan who, he says, “did more for Blacks than anybody – he invented the hot comb!” There’s not a whole lot of information available about Duncan, but he was believed to have introduced the straightening comb in America, after it was invented in France by a hairdresser named Marcel Grateau. Duncan reportedly marketed the comb as an instrument for mustache grooming.

Male Chauvinist

When Michael remarks that “all the great any-persons are men,” Thelma calls him a male chauvinist. During this 1970s, this was a commonly used label, which referred to a man who believed that men were superior to women in terms of ability, intelligence, and other areas. (Sometimes, an adjective was added to turn the descriptor into a bigger insult: “male chauvinist PIG.”) J.J., incidentally, elicits a big laugh in this scene when he admonishes Thelma, “Don’t call my kid brother nothin’ to do with Russia!”

Isaac Hayes and Meadowlark Lemon

The cover of Hayes’s groundbreaking album.

In the scene where Thelma and J.J. seek James’s guidance on their career aspirations, J.J. remarks that they need someone with “the wisdom of Isaac Hayes and the worldly experience of Meadowlark Lemon.” Isaac Hayes was a composer, singer, and songwriter who was a session musician and writer at Stax Records and first rose to fame in 1969 when he released the innovative album Hot Buttered Soul. Two years later, he won an Academy Award for his score for the film Shaft, which skyrocketed him into superstardom. In 2002, Hayes was inducted into the Rock and Roll Hall of Fame (as was Jim Stewart, co-founder of Stax Records. By the way, if you’ve never seen the documentary on Stax, called “Soulsville, U.S.A.,” you really should seek it out; it’s available on several streaming services as of this writing, including HBO Max, Hulu, Amazon Prime, and YouTube. You only owe it to yourself.)

Meadowlark Lemon in action.

Meadowlark Lemon – whose real name was Meadow George Lemon, III – was best known as a member of The Harlem Globetrotters, a famous basketball team that traveled around the world demonstrating amazing and hilarious feats of basketball skill. He performed with the popular team from 1955 to 1980, when he left to form The Bucketeers, the first of several teams that were similar to the Globetrotters. It’s said that Lemon made his first basketball hoop using a rounded coat hanger and an onion sack for the net, and used an empty evaporated milk can for a ball. An ordained minister, in 1994 he started the Meadowlark Lemon Ministries in Scottsdale, Arizona.

Van and Storage Company

This isn’t a term you hear today, but van and storage companies offered moving services, using vans for transport, and they also provided facilities for short- or long-term storage for residential or commercial customers. These days, moving companies and storage companies are generally separate.

No guest stars in this one, but Willona pops in for about 90 seconds!

Guest Stars:

From feast to famine – the previous episode had more guest stars with speaking parts than any to date, and this one had none!

Other Stuff:

This episode marks another one that evokes the name of O.J. Simpson. During an argument with Thelma about suggestions for Michael’s essay, Thelma names off a string of accomplished women: Shirley Chisolm, Coretta Scott King, and Harriet Tubman. For each woman Thelma names, J.J. counters with “O.J. Simpson!” Oy.

The next episode: Crosstown Buses Run All Day, Doodah, Doodah . . .